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・ Prem Parkash
・ Prem Parvat
・ Prelude Hybrid IDS
・ Prelude in A minor, Op. 51, No. 2 (Scriabin)
・ Prelude in A-flat major (Rachmaninoff)
・ Prelude in B-flat major (Rachmaninoff)
・ Prelude in C
・ Prelude in C (Bach)
・ Prelude in C major
・ Prelude in C major, Op. 11, No. 1 (Scriabin)
・ Prelude in C minor
・ Prelude in C Minor (BWV 999)
・ Prelude in C minor (Rachmaninoff)
・ Prelude in C minor, BWV 999
・ Prelude in C-sharp minor
Prelude in C-sharp minor (Rachmaninoff)
・ Prelude in C-sharp minor, Op. 11, No. 10 (Scriabin)
・ Prelude in D major (Rachmaninoff)
・ Prelude in D minor (Rachmaninoff)
・ Prelude in E major, Op. 11, No. 9 (Scriabin)
・ Prelude in E minor, BWV 855a
・ Prelude in E minor, Op. 11, No. 4 (Scriabin)
・ Prelude in E-flat major (John Ireland)
・ Prelude in E-flat major (Rachmaninoff)
・ Prelude in E-flat minor (Rachmaninoff)
・ Prelude in F major, Op. 49, No. 2 (Scriabin)
・ Prelude in F-sharp minor (Rachmaninoff)
・ Prelude in G minor (Rachmaninoff)
・ Prelude in G-flat major (Rachmaninoff)
・ Prelude No. 1 (Villa-Lobos)


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Prelude in C-sharp minor (Rachmaninoff) : ウィキペディア英語版
Prelude in C-sharp minor (Rachmaninoff)

Prelude in C-sharp minor (), Op. 3, No. 2, is one of Sergei Rachmaninoff's most famous compositions. It is a ternary (ABA) prelude for piano in C-sharp minor, 62 bars long, and part of a set of five pieces entitled ''Morceaux de fantaisie''.〔Score. Available for download at any of the external links (see below).〕
Its first performance was by the composer on 26 September 1892, at a festival called the Moscow Electrical Exhibition. After this première, a review of the concert singled out the Prelude, noting that it had “aroused enthusiasm”.〔 From this point on, its popularity grew.
Rachmaninoff later published 23 more preludes to complete a set of 24 preludes covering all the major and minor keys, to emulate earlier sets by Bach, Chopin, Alkan, Scriabin and others.
== Background ==
This work was one of the first the 19‑year‑old Rachmaninoff composed as a "Free Artist", after he graduated from the Moscow Conservatory on 29 May 1892. He performed this new work for the first time at one of the concerts of the Moscow Electrical Exhibition on 26 September 1892. It was printed the following year as the second of five ''Morceaux de fantaisie'' (Op. 3), all dedicated to Anton Arensky, his harmony teacher at the Conservatory. Because at the time Russia was not party to the 1886 Berne Convention, Russian publishers did not pay royalties, so the only financial return he ever received for this piece was a 40 ruble (about two months' wage of a factory worker) publishing fee.〔

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